Trips to find my Tonic Origin
My book, Finding me — and Them: Stories of Assimilation, will be available for purchase by mid-May to be sure. It is the culmination of years of story-telling. It is the semblance of numerous incarnations, iterations, alterations and revisions. What follows is the story behind the stories:
And
then there was tanqueray also. “A Cheeky Lad” addresses
insobriety, the fun I had, the faces I met, the thresholds toed for
tolerance. My bet is insecurity. It was a suppression, a refusal of
depression. No one was going to tell me I was always going to be at
half mast, quarter mast, or not fly at all. Why should I be fated to
be an eternal target for ignorant security workers, law enforcers,
bouncers, jogging suited Scottish constables? When I was old enough
to walk again, to shuffle, apparently, miming inebriation naturally,
in downtown Minneapolis I felt it. I felt my first brush with
'protect and serve' and my assessment of law enforcement has not been
the same since.
Then,
downtown at 15, I was sober as a judge—although that, in itself, is a judgment
call. On a spring day in 1980 I was brash, a rebel who was never
going to be told to do something, who had some wild idea that respect
is a two-way street and can't be expected at will, should not be
assumed to be forthcoming from a 15-year-old kid who has continually
been disrespected. I had hostility, issues, anger maybe misdirected.
I was the teen who said in silent pantomimes “WHO THE FUCK DO YOU
THINK YOU ARE?” or “WHAT MAKES YOU THINK YOU CAN TRIP YOUR SHIT
ON ME?” You knuckle under I guess, eventually. You mature and
become a docile punching bag (I did have a heavy bag in the basement.
It never fought back).
A
man must consider his limitations. He knows what he can do that might
show people that he means business. “Exercising Demons” is me
fighting back. It was my plan, my devise to show who I was, what I
could do. The weights I began to lift would show bullies that I
could make something of myself. Respect might follow or, it might
allow someone to respect me, what I did, for what I was trying to
become. It didn't always work that way. Often times, as has gone my
experience, no amount of dedication, fitness, politeness, or
respectfulness will be returned unopened, unexamined, only judged by
a facial view.
As
you will read, surmounting from tonics brewed in instances as early
as those in “My Day of Reckoning,” I had the grounds to be a
hostile witness. To me, how I saw myself (then) and how I saw, or
thought I saw people seeing me. They were the law enforcers, though,
those obliged to 'serve and protect' me from others or, more likely,
myself. To them—that's the Them—I was judged before my feet hit
the ground. If I walked into a bar, if I was savoring my
end-of-the-week beer at my favorite watering hole, I was fine. No
questions asked, they knew me. But if I decided to go somewhere else
on a Friday night the barkeep, if I even got to the bar, looked me up
and down as I sat—sober as a judge. Friends, Friday night
connections, occasionally asked if I wanted to mix it up, try
somewhere else. For that very reason I said no, and suckled under at
my watering hole with a fierce loyalty.
The
ten stories follow a theory of relativity. They lay out blatantly,
plaintively, and weigh issues of perseverance, discipline,
alienation, identity and overcoming. My explanation of myself, of my
demons and deuces, of my straight and narrows for ruses, transcends
genre. The nonfictional autobiographical me meets the fictional
autobiographical depiction of me. I eclipse myself. I overwrite
myself and no one is there to underwrite the expense. The character
witness I create can damage me, there is no insurance.
A
life that could have been, scenarios that may cross the adopted
writer's mind, crept forth. Spiritual altitude is explored in the
supernatural as it clings to fiction. It is also weighed as it
applies to the nonfiction. Four stories in this book ping-pong issues
of faith, religion, the spiritual world and its logistical capacity
for an after-life. They are fact and fiction. They are fiction based
on fact. In “The Genuine Article” I created a dysfunctional
family. To one member, one generation of the family who struggles
with her mother's agnosticism against a gentle nudging of devout
Catholicism, a lesson is given. I came up with the simple
super-natural idea at my biological mother's memorial party, the rest
is merely filler apropos of nothing (although the surrounding plots
do casually, genuinely, lend themselves to a final epiphany). The
main character has many of her qualities, feelings I got of who she
was in the 26 years that I knew her. A story “The Burial Plot,” I
believe, dovetails that. It is nonfiction and meshes the hypothesis
of a logistical after-life with lawful Jewish circumstances that
surround the funeral and traditional unveiling of the grave for my
grandmother by adoption. The issue of identifying with Judaism,
because of being adopted into a Jewish family, is worth exploring. I
happen to find it enlightening, real, and adapting—as I've had to
sometimes—to the times. Adapting to limitations its law often
conflicts with the physical world. The story “A Lesson from the
Shema” shows what I found, needing as an adolescent, in Reform
Judaism. I identified with it, it showed me how to rise up against
the bullies in life, big and small, those malicious and those simply
ignorant. It set me wandering, later in life. That story, I feel,
dovetails “Ramifications of Schadenfreude” in which the main
character is tested by various antagonists as he plans to locate and
meet his biological mother. In the fray, in the college unions,
foyers and ministries he begins to question the various faiths,
specifically Christianity. He struggles with the contradictory
teachings of his adopted practice of Reform Judaism. These
fictionalized wanderings culminate in the nonfictional “The
Divining Weeks.” I learn as a disabled college graduate, who has
witnessed though the years many merciful solicitations (I suspect
because of the disability), the true value in faith as it applies to
a person in a wheelchair.
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