Musicians, comics,
entertainers, celebrities of any caliber often die early. It's a fact
of life we've skittishly come to face. One might say it's been done
to death. It becomes a self propelling, compelling prophesy. There's
accidental overdoses. There's just fast hedonistic living. Some had
doctors who I suggest got so caught up in their patient's fame,
living vicariously through them, that they ignored with them the
defining caveats of their Hippocratic Oath. And then some, like Jim
Morrison, played with death until it became a reality.
Lindberg begins his book with the similar circumstances surrounding the deaths of Prince and
Elvis. In 1958, when Presley was recording with Sun Records, it was
said that he “sounded black.” Prince was black, although I never
thought he sounded like he was. He could have been white for all I
knew, but then I was hardly a fan on either count. I did happen to
accept an invitation to go with some friends to see Prince's Purple
Rain Tour. Lindberg mentions how Elvis was once censored in his
theatrics, being filmed from the waist up. Thirty years can do a lot.
An artist, who still was up and coming, can do a lot. Those censors
would have been appalled at the Prince show. His theatrics included
simulated stimulation with a guitar. I was kind of shocked,
embarrassed for him. The kid was exploding with talent. The sexual
similes are kind of the easy way out, pandering to the basest human
denominator. To me it was just gratuitous. Presley only made it 42
years, dying of what was ruled a heart attack in 1977. Prince Roger
Nelson, the artist once disappearing into the visual impression left by a symbol, collapsed in
an elevator in 2016 from a drug called fentanyl. He died at age 57 in
his home in Chanhassen, Minnesota. He broke down riding in the
elevator. In the opening song from 1984's Purple Rain he asks
rhetorically “are we gonna let the elevator bring us down” after
having begun the song questioning, asserting, the after-world. Nelson
chooses to go crazy, and implores listeners to do the same.
Interesting.
An Elvis tale I
once caught claim that, in an effort to kick his addiction to the
drugs he was taking, the king's plane touched down here in
Minneapolis/St. Paul. The plan was to go to the famed Hazelten drug
rehab center. The story went that our winter was so cold, Elvis
turned around and went back into the plane. So much for candid tales.
At least it went into the legend that we intended to try to get
sober. Whatever facts remain get mired in legend. My guess is that
even when Elvis was alive the facts were subjective. They may not
have even been facts. Years reveal that he may have lived this
entirely clandestine life, rubbing elbows with a Memphis mafia hat
even eclipsed him. He may have been a pawn, an innocent truck driver
from Tupelo, Mississippi that became an untouchable, larger than life
rock star. The perfect foil, kingpin, mule train. Kind of like Trump,
a guilty real estate mogul from Manhattan, New York who found
celebrity.
Lindberg is not a
biographer. He is simply relating his own dubious experience in
coming into possession of letters from Elvis to other legendary
celebrities. Each battled their own addictions, superstitions or
premonitions of a life too big to handle. I surmise that writing
about Elvis, in any context, is hard to do believably. All we know,
all anyone really trusts, is that he was born January 8,1935 in
Tupelo, Mississippi. It was reported (I heard it on the radio) that
his life ended in Memphis, Tennessee August 16, 1977. The rest is
subject to historical embellishment. Even his brother Jesse dying is
part of the lore. There is visual evidence of him performing
“unchained melody” looking like a pale bloated rat whose next
fall will likely be off a toilette, but what's to keep some
biographer with postmortem issues and a weak grasp of reality from
saying that was an impostor. Is it just me or is Elvis shrouded in
myth, with a less credible life, more than people like Robin Williams
of even Michael Jackson. Presley was putty in the hands of the media.
His life is conducive to conspiracy, from his status as a black belt
to his meeting and subsequent mutual relationship with Richard Nixon.
Not to judge or stereotype, but Republicans seem to love a good
conspiracy, often because they can not handle the truth. Yes, often
the truth, just the facts, are boring; mundane, lacking of any
further depth or propensity for myth. If Elvis were around today I
could easily see him cozying up to Trump. He'd sell out his Christian
values and cozy up like an English muffin fits in a toaster. Stories
of mafia, of murders and unintended killings, drug deals,
assassinations, fit in that mold; the one of the GOP. Much less often
are Democrats attached.
I feel warranted in
saying Presley had his connection, his coveted paper trails. He did
have a trusting relationship with Welsh singer Tom Jones that dated
back to the mid 60s. The two played together on bills in Las Vegas,
in 1968 when Presley stood up to the Colonel (Tom Parker) and
demanded that he was no longer going to make “indifferent”
movies. He began a string of shows in Vegas where the addiction to
drugs began. When the Beatles met Elvis in August 1965, there were
things not expressed. Presley was Lennon's main impetus to be a rock
'n roller. He was also a pacifist and anti-Vietnam War which did not
set well with Presley who had proudly served his country in the years
Vietnam was beginning to involve America. He, J. Edgar Hoover, and
then Nixon, wanted Lennon out of the country. Presley and Hoover
thought the Beatles, influence by Lennon, were bad for America. Late
in August 1971 Lennon arrived in Manhattan to permanently reside. The
following year, due to Lennon's anti-war activism with Yoko, the
Nixon Administration to a “strategic counter-measure to have him
deported.
On April 29, 1976,
at 3 a.m., a young scruffy pre-fame Bruce Springsteen and “Miami”
Steve Van Zandt jumped the fence at Graceland. Springsteen hoped to
exchange unrehearsed words with the man who, as well as for others,
made rock 'n roll look like an essential pursuit. The two made it as
far as the door before they were stopped by security. They truthfully
reported that Elvis was in Lake Tahoe.“I have my picture on the
covers of Time and Newsweek,” Springsteen offered,
also adding that he had just written a song called “Fire” he
planned to give to the king. Unimpressed, the guards escorted the two
out into the Memphis night beyond Graceland. Springsteen never met
his idol, but is known to have told this tale in concert. However the
part about “Fire,” which went on to be recorded by Robert Gordon
and the Pointer Sisters (the latter bringing it to number 2), has
been mired in myth and no one can be certain of anything. All anyone
can take to Elvis's grave is that Springsteen did attempt to meet him
in '76 and his picture was on Time and Newsweek.
Larger-than-old-Elvis
Rabid fans, 60-ish women who have been to Graceland 100 time,the
cougar crowd who aches to throw their under things at the feet of Tom
Jones, Neil Diamond or a faux Elvis stand a good chance of believing
stories spun, livened, from the fact. Elvis was a legend before he
was laid to rest. People, because he led such a secure, covert,
possibly coveted life, will believe anything. He is similar to Trump
in that way. According Fire and Fury, he is known to enjoy
cheeseburgers in bed, a simple, credible eccentricity such as Elvis
shooting a TV or eating fried peanut butter and banana sandwiches. A
mythical world grew around the king, the man who was king and the boy
who wanted to be.
For Presley, life is exhausted. He was exhausted in living and will be
in death. Myths even evolve that he staged his death, a brilliant
career move. For a time, since Forbes began tracking the somewhat
maudlin data in 2001, Presley was the highest earning dead celebrity.
He profits, provides for his heirs, as he gathers moss
somewhere—perhaps around a grave. Some people do better in death
than others. For example, I don't think many of the “27
club”—Morrison, Jones, Hendrix, Joplin—are highly lucrative in
dearth. I think it all has to do with how large the person loomed in
in the highly suggestible minds' of their fans, how much they wanted
to keep them alive. Presley comes in at #2 among dead celebs still
coughing up green. Between Michael Jackson and golf legend Arnold
Palmer, the king pulled in 40 million in 2018. He still turns, and
moves his records, but the bulk of his posthumous earnings are from
tickets to Graceland and a new entertainment complex called Elvis
Presley's Memphis. (Prince is only ninth on the list.) Consider this
though, while many of the artists on he list have a shelf life of the
next palm full of generations, Graceland and the new attraction will
always remain. People will want to see it, if only one day for its
value as a museum or a centuries old church. People eventually will
not buy Dr. Seuss's (#6) books when he's past old. Parents will flash
i phones when books and hand get to arthritic to hold. They will fade
away when child-rearing trends no longer fit his mold.
The myths gather moss as old bones decay. Sixtyish women in curlers
perpetuate them, keep the source, their fountain of youth, alive. It
is a symbiotic relationship. The women keep Elvis alive. His physical
persona is mythologized through vast takes on impersonating him.
Letters from Elvis (Calumet Publishing, 2018) attempts to show a life
inside of Elvis, a life outside the kingdom and the trappings of it.
But many of the letters are to people who are susceptible to
mythology of their own, and the subjective conspiratorial aspects of
the two worlds kind of cancel each other out. What the reader is left
with are stories that, if they care, if they have not been mired in
myth and alternative reality (Trump supporters) they will seek
verification